About a week ago, we teased an upcoming piece that would reflect on the complex subject of Morrissey/The Smiths and their influence on National Pop League, drawing on thoughts gathered from the oral histories we’ve conducted so far. In the interim, we have been thinking about what it means to be true to the archival record without seeming to promote hurtful ideas and words. This took on new urgency as we have witnessed a pivotal, sustained and overdue moment of protest against systemic injustice and the direct and structural violence of white supremacy. Part of the duty of archivists, as we see it, is to expand the record to preserve stories of traditionally marginalised people and groups. While that also means not shying from difficult subjects, it requires finding the best way to frame them.
As we’ve grappled with the legacy of Morrissey/The Smiths, and their place in the history of NPL, it has required self-examination and awareness of how public conversation has changed over the past twenty years, what we’re willing to tolerate from public figures, and supporting art that best embodies our values. This examination will continue for all of us who feel betrayed by an artist who once appeared to speak for the voiceless.
Right now, sharing a couple of relevant resources here is a beginning for thinking about the work we do and how best to do it. We hope you’ll take a look and share in our reflection.
The National Pop League Archive 
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